Sleepy Brown is the type of artist who lives in his own world of music. Best known for lacing Big Boi with hooks, Sleepy is actually no stranger to solo albums. Fans of his basically slept-on first release, Sleepy’s Theme, know that Mr. Brown has a gift for creating a mood, attitude, and genre all his own.

Mr. Brown provides an interesting comparison to Sleepy’s Theme, with Sleepy combining his trademark elements (catchy production, smooth vocals, mack-player content) in much the same fashion. I’m Soul is an extended intro of a track, which sets the mood of the album: Sleepy. Big Boi and Pharrell star on Margarita, which is the closet thing on this album to party music. The Neptunes beat, like much of the album, is vaguely reminiscent of the mid 70’s. Big Boi’s verse is as sharp as ever, with a calm yet motivated tone that fits well with the horn and drum duo. Sleepy’s vocals actually serve to compliment Pharrell’s hook on this one; his deep fatherly tone offsetting Pharrell’s boyish crooning at every turn. Dance With Me doesn’t quite make you want to dance, and unless you’ve ever been in a smoky lounge at 4 a.m. with nothing on your mind except the woman at the bar giving you the eye, this one comes off contrived.

One of Dem Nights is another disco-inspired ballad... smooth, smooth, smooth. A long lazy violin lulls you into a state of absolute cool, conjuring up images of mid-length leather coats, gold-rimmed sunglasses and large cars. Me, My Baby & My Cadillac is an ode to the same, this time focused on the joy of rolling with a man’s two favorite things: his woman and his car. This one would be more of a standout if it weren’t already released on Big Boi’s Got Purp Vol. 2 last spring… In fact, much of Mr. Brown is conceptually identical to Sleepy’s Theme; the only difference being OutKast’s more prominent influence this time around.

As one-third of the successful Atlanta-based production team of Organized Noize, Sleepy Brown (whose real first name is Patrick) has helped write and produce hits for ‘Kast, Goodie Mob, and even TLC. Now signed to Big Boi’s Purple Ribbon Records, Mr. Brown takes another look at the singer/songwriter/ producer with the designer sunglasses and a penchant for the ladies.

Although true ATL music fans (what up, D?) will call Sleepy’s Theme a classic, Brown’s first independent album remains largely unheard, due in part to poor promotion and a general lack of star-power. Apparently, Mr. Brown is determined not to make the same mistake twice, this time prominently featuring platinum-plus friends OutKast. The formula, however, remains essentially the same, and Sleepy Brown remains true to his 1970s funk-inspired tradition.

That being said, songs like Underwater Love, Sunday Morning, and Oh Ho Hum cause the second half of the 13 track disc to falter, failing to add anything to what Sleepy’s already done. As a case-in-point, this album even includes 2004’s hit single I Can't Wait from the Barbershop 2: Back in Business soundtrack. By the end of the album it gets difficult to separate one song from the other as everything just bleeds together; and not in a good way. If he gets credit for staying true to form and keeping it real then he certainly deserves criticism for being a bit too monolithic.