Using his midas touch production and massive influence, Dr. Dre has launched the careers of many artists. Yet from Snoop to Eminem and all those in between, the good doctor has never broken an artist from his hometown of Compton.

Enter The Game. The baller turned blood had barely been rhyming a year when Dre inked him to his Aftermath powerhouse. Before long he as the West coast representative of G-Unit and racking up an enemy list as long as 50’s. From Joe Budden, Memph Bleek to Yukmouth, Game has shown a willingness to say whatever he pleases about whomever he pleases. If there’s one thing Dre knows, it is how to take advantage of controversy.

One listen to The Documentary and some things become abundantly clear. One of those things is that this project really means something to Dre, cause he laced the beats. Such as the 2001 meets Straight Outta Compton single “How We Do” and “Higher,” which is like a heavier “Still D.R.E.” with its repetitious piano stabs. Dre and Scott Storch show their incredible chemistry yet again on the 50 Cent-assisted “Westside Story” and the darker “Start From Scratch.” Despite the R&B flavor with the guest appearance from Mary J. Blidge, the minimal “Don’t Worry” still hits hard. When Dre isn’t behind the boards, an A (++) list of producers fills in. Timbaland keeps his streak of ridiculous bangers alive with “Put You On The Game,” as does Just Blaze with both “Church For Thugs” and “No More Fun and Games.”

Kanye and Havoc deliver two of the more soulful selections with “Dreams” and “Don’t Need Your Love” respectively. Hi-Tek, who has been less than impressive in the last year or so, gets his best joint in years with the sinister “Runnin,’” though the song really could’ve done without Yayo’s insipid verse. He also gets a top notch beat from Eminem on the track “We Ain’t,” along with a show stealing verse. Even Game admits, “get Dre on the phone quick/tell’em Em just killed me on my own shit." Yet it is DITC’s Buckwild that is behind the board for albums best song in “Like Father, Like Son”: a heartfelt track that displays Game's blossoming talents better than any other. Even some of the lesser known names hold their own, like the standout “Hate It Or Love It” from Cool & Dre or the title track from Jeff Bhasker.

So yeah, the production here is really dope. In fact, it is the best gangsta rap LP since Dre’s own 2001 6 years ago. So how does The Game measure up with this fine production you ask? Good enough for the most part. A lot of his rhymes are your typical gangsta posturing, he has some clever lines here and there but for the most part it isn’t anything you haven’t heard 1000 times. When he decides to diversify a bit, he is much more engaging. It can be something simple like his numbers game on “No More Fun and Games,” his touching recount of his son’s birth on “Like Father, Like Son” or his drunken reminiscing about lost friends on “Start From Scratch.” Continued on page 2 »