Features

Vanessa Blue: My Blue Heaven Part 1

January 21st, 2008 | Author: Anthony Springer Jr

The adult entertainment industry is America’s nearly $100 billion dollar a year dirty little secret. Each year, established stars and novices earn their pay checks entertaining our most intimate fantasies and carnal desires. While the industry can be kind to guys who consistently perform—and perform well—the starlets that make the industry so profitable often end up battered, bruised and out of work faster than you can say “one minute man.”

In spite of all that, there are some ladies that have aspirations that go beyond performing in front of the camera. This is where Vanessa Blue comes in. After becoming fed up with the misogyny of the industry, she took matters into her own hands and began directing movies and building websites, namely her exclusive homepage, www.vanessablue.com.

Ms. Blue sat down with DX to talk about her grandparents influence on her career, why she discourages girls from getting into the game and how the industry isn’t as safe as many may think.

HipHopDX: Tell me a little about life before the industry.
Vanessa Blue:
Life before the industry, wow. There was none. [Laughs] Life before the industry I was a regular girl. I was a dancer and I went to school to be an emergency medical technician. From dancing, I met a girl named Persephone who became a very famous dominatrix and glamor model and she introduced me to fetish modeling. From there, I met another girl in the same club by the name of Kitten and she and I became very close. She creatively suggested that I try porn.

DX: What was your reaction at first?
VB:
No. My reaction was no. I like doing fetish work, I was never really looking to do anything more than that. But one girl-girl scene I figured wouldn’t hurt anything and then came [director and producer] Ed Powers. Ed Powers was offering us a crazy amount of money. I did my research and I was like, “Alright, he’s never put a sista on the box cover in sixty series.” He’s never put one.

DX: Wow.
VB:
So I hoped [that] he’s racist enough that he won’t put us on the cover… I was wrong. So we did the scene and he put us on the cover. After that, I figured I might as well finish what I started.

DX: How many movies followed?
VB:
After that I did about 16 scenes. I didn’t like the way things were going, I didn’t like the way people were talking to me, I didn’t like the business… and I quit. I moved away to Nebraska for a few years. I danced at the only nudie bar in the whole state and I was the only black girl, so I did well. I stayed there for a few years and my grandparents kept talking to talking to me about it like, “What are you going to do with your life, you’re not really gonna sit here while people make money off your naked ass are you? You’re not gonna strip, this isn’t the end, don’t stop here.

My grandparents are big into watching porn. My grandfather’s always talking about how much it made and what products sell and [he said] if you know so much, you’re a nerd already, you love computers, why don’t you go back and see what else you can do. Doesn’t mean you have to fuck but just go back and see what you can do.  I came back and was roommates with Kitten for a while and I got back into the business again. I did maybe 50 scenes and I quit, again and I moved away to Las Vegas

When I don’t like a situation, I get out of it. I don’t wait for shit to get better, I go. So I came here and danced for a while at Cheetah’s until 9/11. Right after 9/11, there was no work. Literally, there was no work, nothing was happening. So I said, “Okay, I have a little bit of money saved up, just a little, and I’m gonna buy all the books I want cause I know I want a website, I know I’m a nerd.” There’s books on anything I want to know, I’m going to buy all the books I think I need. I’m going to lock myself in the house and I’m going to do nothing until I figure out how to build a website." I locked myself in the house for about three weeks, I didn’t eat, I didn’t sleep, I was really wild… but I figured it out.

DX: Going back a minute, you mentioned before that there were things happening on the set that you didn’t like, what was going on?
VB:
I didn’t like the way the owners of the company would talk to you. Everybody in California believes there’s a certain body image that a woman needs to display in order to be viable or be on a box cover. We know now with all of today’s niches, that’s not true. Back then every thing was about being skinny, being lighter, not being so dark, not being so ghetto.  Being a black girl, if you don’t have the immediate connections when you walk in, you’ll be relegated to ghetto product. You’ll never get out of it because you won’t know how to get out of it. You’ll get half your rate, you’ll get crappy work, you’ll get crappy sets. No one will care about anything. Literally, it’s a situation where there’s a mattress in the corner. The director comes in, tells the camera guy what to shoot, how many positions, and the director leaves the room. He goes out and smokes a blunt or talks on the phone or whatever he’s doing and the camera man is left to run the scene. How on earth can anybody care?   Continued on page 2 »

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