Features

Robin Thicke: Higher

August 12th, 2008 | Author: DeMarco Williams

When you ask Robin Charles Thicke to name his dream performance duo, it doesn’t go as melodically as you’d probably expect. He doesn’t mention Marvin and Aretha or Stevie and Anita. The Hip Hop fanatic doesn’t even say Common and Jay-Z, or Wayne and Dre. Instead, the Cali native strays from music altogether and offers, “I’m a Lakers man, so I’m still hoping that Shaq and Kobe get back together. I’m like a child who’ll never understand that his parents are divorced.

Soul music fans probably thought they were fantasizing last week when they heard that Thicke and Mary J Blige had teamed up on the remix for “Magic,” the super-jazzy lead single from Robin’s third album, Something Else (September 30). His CD before that, The Evolution of Robin Thicke, which featured the hit “Lost Without U,” was a monster that catapulted the 31-year-old L.A. native to the top of the U.S. R&B album charts, the first time that’s happened for a white guy since George Michael in ’88. Here, the blue-eyed soul man touches on race, but he goes into depth about gaining self-confidence, touring with MJB and beating you in basketball.

HipHopDX: Is R&B in good shape?
Robin Thicke:
I think music is in good shape because there are so many opportunities. If you have something hot, you’ll be able to get it to people. I think that’s a great thing. If you’re better than everybody else and you put your stuff on the Internet and you spread your tape around, it’s going to happen for you, know what I mean? I think that’s a good thing. As far as R&B, I think it’s hard to call it R&B ‘cause there’s not much blues in it. Everybody got the car they want, the girl they want, the champagne bottle they want. There’s not so much Blues in it anymore.

DX: So, what would you call it?
RT:
I’d just call it Soul music and just let it cover the whole thing. If you’re coming from the soul and you’re making soulful music, we know what that is. I see myself more as a soul artist than an R&B singer.

DX: The Lil Wayne song “Shooter” wasn’t your first time working with a Hip Hop artist, was it?
RT:
Actually, around the same time, I had worked with Pharrell. We had done “Wanna Love U Girl” together. And when I did my first album and had long hair, I did a remix with Jadakiss. Busta Rhymes [also] hopped on a remix I did. So, the Lil Wayne song wasn’t the very first [Hip Hop mesh]. But what he did was take a song from my first album. He ended up being the first ‘cause he went backwards. He took the first song.

DX: Can you explain this chemistry that you seem to have with Hip Hop?
RT:
Well, I think that the reality is just that I love Hip Hop. I grew up on Hip Hop. I’ve listening to it and singing Hip Hop [for a long time]. I remember running across some guy that knew me when I was, like, 14. He was like, “I’m happy to see you do well. I remember when I saw you when you were 14 and I said, ‘You can be a pop singer.’” I said, “Man, I’m a Hip Hop singer.” When I was a kid, I thought I was a Hip Hop singer. It’s funny how I grew up. That’s just the music that’s all up in my soul, ya know?

DX: Growing up, was it the typical Motown stuff being played in the house or was it something else?
RT:
Well, my mom (vocalist Gloria Loring) was listening to Aretha [Franklin], Stevie [Wonder] and Luther [Vandross]. My dad (Growing PainsAlan Thicke) was listening to Bruce Springsteen and Bob Dylan. And I was listening to N.W.A. So, somewhere in between is where I came out.

DX: That’s an interesting mix there.
RT:
Yeah, but that’s music for you.

DX: Why haven’t more non-blacks thrived in the soul music genre?
RT:
I don’t really know. That’s not for me to decide. I think it really just comes down to the individual, you know? It’s not really about a group of people or a generation. Some times it’s 10 people doing things. Some times it’s just one. Who knows how those times will turn, you know?

DX: Something Else is your third album. Are things progressing at the speed you originally expected them to?
RT:
Everything is going great now. I think I just needed to have a hit record and then I could get the confidence from the labels and the radio stations and my self-confidence. Now things are moving at the pace that they’re supposed to. Obviously before that, the biggest reason things didn’t move for me was because I was afraid. I would sit at home, waiting for something to happen or waiting for someone to say something to me opposed to me going out and taking it for myself. Then, once I started taking it for myself, other doors started to open. Continued on page 2 »

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