This is a recent confrontation I had with the fake journalists over at Fox News which has been rapidly sinking in the ratings... Good thing I recorded the entire incident because when they ran it on the Bill O'Reilly show they conveniently left out my questions.
Here's what really went down: This reporter named Griff Jenkins crashed the Take Back America Conference in Washington DC and was on a mission to stir up trouble by attacking people like Reverend Jesse Jackson.who was on hand to give a presentation about the 5 year anniversary of the War in Iraq. Jenkins had earlier confronted Jackson in an ambush type of manner and berated him with questions about Reverend Jeremiah Wright who is the pastor to Senator Barack Obama. They wanted Jackson to dis him.
For those who don't know, what's been happening is that the 'Faux' News family have been on a mission to try and pull down and derail the presidential campaign of Senator Barack Obama. Thus far they've used every trick in the book and thus far nothing has worked. Their latest gimmick has been to show his Pastor of 20 years in a bad light and then try to associate Senator Obama with the smear job they did on his Pastor.
When Jackson attempted to answer they would cut him off and ask a bunch of more questions. Jackson got away from them and did his presentation. After the speech, Jenkins and his cameraman got on stage, pushed their way past the conference attendees and other reporters who had been waiting patiently to talk to Jackson. Again the Fox News crew started loudly berating Jackson about the Pastor's 7 year old remarks. Jenkins loudly demanded that Jackson publicly dis-avow Pastor Wright for the remarks he made about 9-11. Jesse refused and answered Jenkins in a calm manner. Jenkins wasn't satisfied and once again he loudly berated Jackson.I decided enough was enough and stepped in to flip the script by interviewing Jenkins.
Here's some things to keep in mind as you watch the slickly edited video by Fox which was shown on the O'Reilly Factor and the audio which I recorded.
1-Note how Fox News left out my questions when they showed the clip on O'Reilly. Both the Fox Reporter and myself were recording at the same time.
2-Note that Barack Obama had not delivered his speech on race and politics. He was scheduled to speak on that topic as well as the remarks made by his Pastor within a half hour of this incident. Everyone was rushing to find a TV to see the speech.
Instead of waiting to see what Senator Obama had to say, Fox News tried to kick up dust and then make it seem like what we were watching occurred in the aftermath of Obama's speech
3-On the stage and in attendance at Take Back America were people of all races. Everybody got along-there was no race baiting. The only race baiting that went on that day came from Fox News.
4-Fox News got the hell out of dodge after the incident. They were shook up big time, when the same intrusive tactics were used on them. Notice how Jenkins tells me to stop harassing him and demands to know who I am. Funny how he didn't afford anyone else the same courtesy.
5-Here's the biggest irony.. after the speech the Fox Reporter Griff Jenkins was raving about how brilliant Barack Obama's speech was. Funny how he didn't put those glowing remarks on the air.
6-Fox News didn't identify me in the clip even though I have been on that network at least half a dozen times. What's even crazier is the O'Reilly Factor has attempted to get me on their show several occasions. Funny how they forgot to ID me during the newscast.
My guess is that they would have to note that Davey D is a reporter who writes for the San Jose Mercury News and has syndicated talk show that airs in several markets daily. That would've legitimized me in the eyes of those who may have been led to believe that I was a race-baiting lunatic. In other words Fox News was reaching for straws and had to resort to misleading folks..By acknowledging my press status then Fox News would've been made to look even more like blithering idiots. The funny thing is that many people did recognize me due to the fact that I am frequently on other networks and in documentaries.
ani's note:
*The video here is from Fox News, where Davey D is shown demanding Griff Jenkins to answer a question. Faux News conveniently edited out the question Davey D wanted answered.
http://www.dailymotion.com/video/x4rznd_foxguy_news
*The audio underneath is Davey D's full mp3 recording of the entire event Nothing was edited, you pick who the real journalist it in this situation...
http://odeo.com/audio/17898633/view
We recently sat down with pioneering Hip Hop photographer Ernie Paniccioli to get some insight into his long career which began years before the first rasps were being kicked in the Bronx. He broke down a lot of stuff for us. he also let us know about his new movie called The Otherside of Hip Hop which chronicles his life. The movie which has already been shown in festivals around the country to rave reviews and features Chuck D, MC Lyte and Afrika Bambaataa to name a few will be showing at the Tribeca Film Festival this weekend; Saturday November 17th, 2007 2pm Tribeca Cinemas NYC Laight and Canal St. info and tickets available at www.bigapplefilmfestival.com
Davey D: Lately there are a number of books and exhibits coming out highlighting the works of pioneering Hip Hop photographers.. What do you think is behind this resurgence? In what ways do these works add to or take away from the Hip Hop's history?
Ernie Paniccioli: When a book is done from within the culture by someone like Joe Conzo ("Born In The Bronx") or myself ("Who Shot Ya?") or an exhibit shows the work of Harry Allen or a Martha Cooper "Hip Hop Files" it can only deepen the history and knowledge of Hip Hop Culture. When a "Culture Vulture" does a book or tries to lay claim to be "The Bible of Hip Hop Art and Politics" style magazine or a trick ass radio station claims to be "Where Hip Hop Lives" then things get ugly and commercially distorted.
Davey D: Contrasted with Rock-N-Roll and other genres what challenges are unique to the Hip Hop photographer? What has been your biggest accomplishment? What has been your biggest gripe?
Ernie Paniccioli: Rock and Roll is bought by, financed by and nurtured by White America and is simply Rock Music. Hip Hop is from the streets, ghettos, inner-cities and is comprised of 5 Elements. A Rock Photographer only has to shoot rockers and is usually paid by a record company or big money magazine.
A Hip Hop Photographer has to capture the DJ, Hip Hop Dance, Graf, Emcee, and be aware of and respond to the Cultural aspects of Hip Hop. If all they do is shoot Rappers then they are at best a Rap Photographer. In it's 33 year His-Story there have only been a handful of photographers that can be called "Hip Hop Photographers". My legacy is secure because I have been called that by Afrika Bambaataa, Chuck D and KRS1 as well as Nas and Rakim.
My greatest accomplishment has been staying true to the culture decade after decade and my biggest gripe is seeing this amazing art form, that gave us a global voice, being used instead of addressing survival issues, selling sneakers, rims, cars, burgers and really crappy clothes.
Davey D: What sort of equipment did you start off using? What are you using now? Does new technology make things easier? Is their something loss with all the photo-shopping and digitizing of photos?
Ernie Paniccioli: I started out with a Canon AE1 and a 50MM lens. I now use Leica and Nikon 35 MM Digital and Mamiya Medium Format. I personally love PhotoShop for cleaning up and restoring old photographs. If you suck or have no soul, Photoshop will not help you, if you are dope all of these photo aids will only make your work more profound.
Davey D: You served in the Vietnam and there you took lots of photos and made collages capturing the social and political climate of the time.. How did your experiences in Nam help you when you started doing Hip Hop photography?
Ernie Paniccioli: Having the experience of life and death and discipline, training for war and being responsible for the safety of others gave me a sense of responsibility which I came to understand meant a response to the best of your ability. It also prepared me to go anywhere to shoot my subjects, either in a dark club full of drunk or stoned and often violent rap fans or in a project hallway or gang banger territory.
Davey D: Talk about the importance of archiving history through photography and other means.With you being a Native American brother what lessons can the Hip Hop generation learn from the trials and tribulations experienced by Native people?
Ernie Paniccioli: Edward Curtis is my greatest influence. He shot the tribes across the continent under almost impossible odds but always with pride, intelligence and dignity. Without him the visual legacy of native Americans would be greatly diminished. I have always tried to do the same by infusing my work with dignity, pride and a sense of honor and one of the ways is to keep in mind that we are all spiritual being with a soul and an inner power and beauty.
Forgive me for getting too deep but just as Native People were considered "savages" and not worthy of land or protection of law (look up the writings of the amazing Professor Robert A. Williams of The University of Arizona) after nearly a decade of dehumanizing music videos, CD's and movies portraying Black Southeners as subhuman, sexually deviant, drug addled and shiftless drug dealers and pimps along comes Katrina and the non reaction of FEMA and America tolerates the sight of swollen Black bodies floating like debris in the water.
Davey D: Creating photo collages shows you have an artistic side, are there any other areas that you have talents and skillz especially as it relates to Hip Hop? i.e. Did you rap, b-boy or dj?
Ernie Paniccioli: I was a painter, and drew thousands of pictures before I even picked up a camera, art , museums, and creativity always was part of my flow decades before I even held my first gallery show. I was never B-Boy or DJ, but have rocked hundreds of mics lecturing on Human Rights, Native Rights and Survival.
Davey D: Who was the first person you photographed within Hip Hop? What do you feel is your most important photo? What is your most haunting photo?
Ernie Paniccioli: My first Hip Hop images were of Graffiti masterpieces and they were what drew me in to Hip Hop. My most important photo has not been shot yet. My two most haunting photos are both of BIG. One is of him going up a flight of stairs with angels in the background and the other is him sitting next to me in his Jeep holding his fingers in the form of a gun.
Check out the rest of the interview over at my MySpace.